 |
| Portrait of The Cat by Zelda's Slave |
Every
night I trick my Slaves. Around ten o’clock, I wait at the top of the stairs,
beckoning them upwards. Informing them, with increasingly loud miaows, and
increasingly agitated movements, that it is their bedtime. And, this usually
works. Having impressed my feelings that I
need to sleep now upon them, they usually complete their ablutions quickly
and retire. I curl up next to them
and when I am certain they are asleep, I creep off, upstairs to the study.
Where, I can write my stories.
As
I said, this usually works. Sometimes, they will dally. Often this happens when
I smell alcohol on their breaths, or when they have friends over. All of which
can be particularly annoying if I have a deadline to hit. But then they’ll
usually sleep in the next day, so… On one occasion their friends brought some
catnip over for me, wrapped in the form of a mouse. Or rather a packet of
three. So I was expected to perform with one of these toys and as a result
spent the rest of the night intoxicated. The subsequent words that issued forth
have yet to see the light of day.
It
was the presence of this so-called ‘toy’ in my Castle that gave me an idea about
how to contact Rock Star cat.
You’d
think it would be easy, speaking to a neighbour. But there were a number of
problems. Firstly, I wasn’t sure she wanted to hear what I had to tell her. And
in trying to impart to her that her behaviour wasn’t entirely acceptable, I
risked coming across like an officious schoolmaster. Which, I was certain, being
a creative like myself, was something she wouldn’t respond to. This meant I had
to first take her into my confidence, somehow. And secondly, there were the
crazy hours she kept, as a result of her band practices and gig schedule.
I
wished I hadn’t agreed to say anything. Couldn’t The Architect do his own dirty
work? Couldn’t he get through to her about the effects her ever longer
intermissions were having on the timeline? As he’d explained, you simply
couldn’t stop time for such long periods without ill effects. But of course, I
reminded myself, he had tried to speak to her. And where he had failed, he
thought I could succeed. To this end, The Architect had also given me his
blessing to abuse my time privileges more than was usual. Not that this had
been of any help just yet.
I
wished I could put a signed novel through the door. Show her I was a creative
too - that because of this coincidence, there could be some kind of connection.
But at that point, my oeuvre was confined to short stories - some of them award
winning, like the stories to which The Architect had referred. I’d had the idea
for Shadow Murder, but I hadn’t
finished it. And I just didn’t think putting through one of my contributor
copies of Cat’s Cradle issue 19, containing Die
FrankenMaus would cut the mustard. (And yes, before you mention it, this
was a Mary Shelley inspired effort, although more of a crime fiction than
science fiction - the latter, as discussed previously, not being my genre.) It
was The Architect himself who suggested I try something more oblique.
So
there I was, looking at this stuffed mouse, or at least trying to, with my eyes
pointing different directions. And the idea occurred to me. I’d done a reading
of the aforementioned story a few days earlier, so its content was still fresh
in my mind. And subsequently twisted by the Nepeta drug. The idea wasn’t a very
good one, as you’ll see, but I ran with it all the same.
Firstly,
I needed some hard cash - I had some, but not nearly enough for the purposes I
required. But that was easily resolved. Or at least I thought it would be. I
had two more toy mice, stuffed with catnip, which would fetch a decent sum on
the black market. If only I knew who to speak to. So that night, instead of
writing, I snuck through the portal, sniffing out the ever dependable Beast. By
the way, for those of you who are keeping tabs on my timeline, or checking for
continuity errors, this was before he left. Although it goes without saying
that remembering things accurately and keeping track of timelines may well be a
function of fiction, but the converse is much more like real life. I digress…
Beast’s
neighbourhood was in a quiet patch of rural Devon, lacking light pollution. Given
it was a clear night, the entire cosmos was spread out above me, as if rendered
three dimensional. The starlight cast eerie shadows across the land, and there
was the smell of odd country creatures. I found him sitting in his favourite
spot, on the top of his Slave’s garage, surveying the darkness.
His
reverie was shaken when I jumped down next to him and he sat up abruptly,
bearing his claws, before he realised who it was.
‘Do
you really have to sneak up on me like that?’ he asked.
I
apologised and began to explain what I wanted to do.
‘So
you basically want to be a drug dealer?’ he asked, incredulously.
‘Well,
look, if you want to buy them off me…,’ I began.
‘No,
I don’t,’ he sighed. ‘Look, I know a cat… But this is dangerous. If the Mice
Police get you… What grade of stuff is it anyway?’
‘I
don’t know that kind of thing!’
‘You’ve
tried it?’
‘Inadvertently.’
‘And
this is when you came up with this ridiculous plan of yours?’
‘Yes.’
‘Right.
It’s the strong stuff then.’
Beast’s
directions led through a portal, back to another part of the human aspect of
the layered worlds. To what was a well-appointed Victorian street. I’d expected
some concrete jungle, stained with blood and smelling of urine, but I suppose
this is a clichéd perception of those who deal in illicit substances. These
terraced houses were well kept, with flower baskets outside, and neatly
manicured front gardens. Cars were parked on the road, all of which bore the
specific brandings which I associated with human wealth.
I
was careful to avoid human contact, sneaking behind a privet bush when I heard
some voices. Wild humans, when they encounter a cat, are unpredictable – at
best you might get a rough stroke. At worst they might grab you and carry you
away somewhere and torture you. And if you try and defend yourself, they get
irrationally angry. Can you imagine a giant picking up a human and them not
having anything to say about it? In any case, I had the toy mice strapped to my
stomach, which might have attracted attention.
The
street curved around and then ended abruptly at a gate, which led onto a wide
expanse of grass. In the distance, I saw some humans dressed in white clustered
together. There’d be an occasional crack as something hit wood. I was halfway
to the pavilion, edging around the field, when something planted itself in the
foliage in front of me. Suddenly a horde of the white clad humans were shouting
and charging toward me. Without hesitating, I bolted away from them, the
distance between me and the pavilion closing rapidly. It soon became obvious
that they weren’t after me, and I slowed, turning to watch the crazy humans as
they retrieved some kind of ball and threw it in the air, cheering all the
while. And they think we are stupid when we play with toy mice?
The
storage room behind the pavilion was strewn with exercise mats, on which Monty
was lying, or rather lounging. He was a large Birman, his hair immaculately
groomed. Which couldn’t be said for his company: a few moggy looking strays,
which sat nearby, subserviently. Both bore war wounds: the one on the left had
a scarred nose from a previous fight, and the cat on the right seemed to be
missing most of an ear.
I
sat down in front of them, leaving a good distance between me and the exit. My
hair was bristling and I felt the beginnings of a growl at the back of my
throat. For a while Monty said nothing, just glared at me. When he actually
spoke, where I’d been expecting a cockneyfied drawl, his words lacked an accent
- a feature I associate with the more aristocratic felines.
‘I’m
Monty. But I suspect you know that,’ he drawled, lazily. ‘And you are?’
‘I’m
not interested in chit chat,’ I replied. ‘Someone told me you were the cat to
speak to about a Nepeta deal. I’m selling.’
‘Ah,
straight to the point. Excellent.’
I
undid the tie holding the two mice around my neck and let them fall to the
floor. Even in their plastic packaging, the potent smell of the weed leached
out.
‘Benson
will come and check them out’ Monty said, nudging the cat with the scarred
nose. Slovenly, the cat got to his feet and began to saunter over, his path
following a loose arc as he approached, as if weighing up the surroundings. Or
giving Monty time to check me out while my guard was down.
As
Benson approached, I raised my left foot, and placed it carefully on the small
parcel. This was something Beast had told me to do. ‘You don’t want the cat
scarpering with your goods before the deal is done,’ he’d said. ‘Exert your
authority from the beginning. Then they will respect you.’ Benson wasn’t phased
by this action and had begun to sniff the package with what was left of his
nose. He turned to Monty and nodded, before sauntering back.
‘The
money, Hedges,’ Monty said to the cat with the ruined ear. Soon Hedges returned
with a wad of notes and placed it on the floor in front of his superior.
‘And
now, we negotiate. How much do you want?’ Monty asked.
But
I was prepared for this, coached by Beast. Thereafter followed a few moments
haggling, until we reached the price I had hoped for and which I expected I
would need for this enterprise. And then, Hedges gave me the cash, while Benson
liberated the goods.
‘A
pleasure doing business with you,’ Monty said, but I didn’t reply. I was out of
there, scarpering back across the cricket pitch, and along the terrace to the
portal. And a few slips later, I was back at my home in Bournemouth.
To be continued...
No comments:
Post a Comment